HABITATSOCIETYCHILDHOOD
Definition. Personal experience. This category shares some retrospective, intimate stories and reflects on how inhabitants claim their space within the community.

I’d like to think that I grew up in yards of blockhouses. My friends lived in these houses, and our free time we spent in the yards so that at least one of our mums could call for us if needed. We climbed concrete walls and pipes. They were like imitations of modern-day playgrounds. Sat on stairs playing games. It seemed as though real life was in the courtyard. And “real” life observations! Since adults solved their relationship problems behind closed doors, however, the yard was available for everyone, even for people like me, who lived one street further in a two-story wooden house with so few neighbours that you could count them on one hand. In the yard, I saw a lot, and that always was so enticing for me to return there.

Elina

You could bring out Baltic billiards, play music, and learn Russian.

Ieva

Once I almost fell from the roof when we were fixing the roof. I got stuck in the lift. Sometimes some drunk was sleeping in the elevator. My friends and I figured out how to break into the basement, etc., but nothing special. Although if you live in the district, you get sucked in strelka*, bicycle thefts, bullying of weird residents, etc. I mostly remember childhood.

*strelka – organised fights between districts

Anastasija

Letters were passed via thread from the balcony.

Kristina

Sometimes my girlfriends and I chatted in the stairwell for about an hour. Every morning I couldn’t wait for the bell to ring and go outside with my friends.

Raimonda

Many friends. Every day in the yard was wonderful.

Vladislav

We called people from the phone booth with an option for the receiver to pay. And our neighbour caught us. She came and cursed us because she had to pay 20 santims* for the call from the booth.

*santīms – Latvian currency before EU, meaning cents

Agnese

I don’t have nice memories of Riga. I have them from Jēkabpils, where in childhood all kids from block houses were friends. There were rowan trees. Football. All summer was an adventure.

Vineta

The whole floor caught fire, dad jumped from our balcony to the balcony of the neighbouring flat. On the eighth floor…

Olga

One boy in the yard slapped me on the butt, and I complained to my dad. There was a little action scene, where my neighbour hit my dad’s nose. Then we went looking for him in the city in the police car.

Una

In childhood, a chubby pug named Ādams lived two floors up. When he saw any person he would run to them grunting to get cuddles. So nice and it made your day.

Alise

In the mornings we ran to other friend’s poģīši* and banged the door, to invite them outside to play. Or even better – yelled from the street, so that we don’t have to climb the stairs. And the brightest memory from my grandma’s house, she also lived in a block of flats, is how every summer we went visiting old ladies, who never stopped wondering how years are passing and kids are growing.

*poģīši – stairwell

Dita

Childhood memories, something familiar, even if it is a blockhouse in Kyiv.

Agnese

In my yard, everyone always, literally always played hide and seek or kick the can, or traffic lights. Not long ago I was thinking about how cool the block houses are because kids from private houses came to our yards. Everyone was gathering there and knew that you can always come to us if you have nothing to do.

Baiba

On the morning of Mother’s day, I picked my neighbour’s tulips under the window and I was caught.

Alina

In winter we played hockey between cars. We kicked the ball against the wall of a building and played foursquare and 21.

Martins

I remember how we were running away from a “flasher”, who had wandered into our yard.

Olga

You never know what waits for you around the corner.

Anya

You feel safe when you’re surrounded by blockhouses. I learned Russian together with my peers. We played tennis against the walls of the buildings. Old ladies didn’t quite like it, because it disturbed their naps. Now I feel sentimental. My block house was near a lake. It was quite beautiful.

Una

Childhood friends and lots of fresh air!

Arturs

share your experience  share your experience  share your experience  share your experience  share your experience  share your experience  share your experience

share your experience  share your experience  share your experience  share your experience  share your experience  share your experience  share your experience I

SUBMIT YOUR STORY SUBMIT YOUR STORY SUBMIT YOUR STORY SUBMIT YOUR STORY SUBMIT YOUR STORY SUBMIT YOUR STORYSUBMIT YOUR STORYSUBMIT YOUR STORYSUBMIT YOUR STORYSUBMIT YOUR STORYSUBMIT YOUR STORYSUBMIT YOUR STORYSUBMIT YOUR STORY

SUBMIT YOUR STORY SUBMIT YOUR STORY SUBMIT YOUR STORY SUBMIT YOUR STORY SUBMIT YOUR STORYSUBMIT YOUR STORY SUBMIT YOUR STORYSUBMIT YOUR STORYSUBMIT YOUR STORY

REFLECTION ON SELF
by Ilva Skulte

Paradoxical joy

vvvvDuring the 80s, there was a popular song in Latvia with the lyrics by the famous poet at the time, Leons Briedis: “through seven gates it shall come / the joy of people can come in / who knows, maybe a time will come / when your joy is your enemy.”
vvvvIt was a time when I couldn’t fall asleep – I struggled with fear of the unknown, who was flashing the light in the dark windows of the opposite school; I couldn’t open my ears when I heard the terrible howling of the hound of the Baskervilles from my neighbours’ TV (everyone was watching the soviet adaptation of Sherlock Holmes series) and I was frightened of nuclear war as every other kid born in the 80s – my fears were almost morbid, they pursued me also during the day like the Erinyes resulting from the social and technological progress. Therefore, the awareness practice of the direct, sensitively separate bodily influences was, in a sense – the source of joy. My premises 50m2, 2.5 m. My 3+9+9+9+9 steps. My metal door handles and room doors with glass windows. Finnish architect Juhani Pallasmaa talks about how the power of architecture enhances the actual experience and simultaneously signifies the meaning of environmental, social, family-oriented, interpersonal, and individual aspects in the memories of atmosphere, which then shapes our irrational, emotional, indescribable attitude towards spaces and places that we inevitably fill with variations of behaviour and feelings, stories, and doings1. In combination with hidden fear and the superficial asceticism of the soviet block of flats… Somewhat was a collective joy. Unlike expected, this feeling is not false, but real and pure.
vvvvThe environment where I grew up was quite beneficial and generally enabling – my home. This environment could be changed, although only in the parameters of the standard – it means that most flats where I lived or had visited were a standard type, it
was something impersonal and, in some way, unsteady, ephemeral. The easiness that you have with electricity, cars and washing machine… And the emotional spectrum, which is present during every growing-up and identity-forming phase, in my case, was toned-down expectations – maybe anxiety, maybe joy. The joy that is necessary for survival and, in some paradoxical way, is also the opposite and external part of fear, my enemy. It is a joy of modernism – the counterpart of the unknown world full of rational logic.
vvvvMaybe the first habitants of this house brought joy in the 60s of the 20th Century. Then modernism came massively into everyday life – refrigerators, TVs, cars, and filming cameras. For most newcomers, they were substantial improvements in life – water supply, central heating, sewerage in houses, a shop nearby the home, a playground, and a playing field… It was a huge breakthrough for a post-war generation who went to school for several kilometers every day with paper briefcases and handmade shoes with rubber soles from old tires. This generation's joy (of survival) was this mysterious symbol kept in photos – the crumbled environment of the new districts then. Yes, it was in a way a social joy, which was rooted in the collective spirit that was evidently supported by the soviet ideology of the time. But it was also an energy one could use to make his life’s world, to maintain together (or not maintain together) the stairwell, plant trees near the building, and raise the future – the yard children. And focusing on the future this joy functioned as a reason not to pay attention to cultural prejudices and stereotypes that lived in these narrow walls of everyday life of the community. And maybe now, when this motivation of joy has lost its direct influence in the consciousness of the residents, after changing generations and the sociocultural background, the paradox has emerged in the foreground.
ILVA SKULTE

Ilva has a degree in philology, she has worked in cultural journalism, and she’s a communication and media researcher at various Latvian universities. Associate Professor at the Riga Stradiņš University. Ilva also organizes workshops for contemporary cultural events.


1Pallasmaa, J. (2014). Space, place and atmosphere. Emotion and peripherical perception in architectural experience.
Lebenswelt. Aesthetics and philosophy of experience. (4).
← essay